What began as a “one and done” show — Suicidal Tendencies at Ybor City’s Cuban Club in December 1985 — launched David Hundley and Tony Rifugiato into becoming No Clubs, one of Florida’s most influential music promoters. With Tony’s instinct for emerging bands and Dave’s production expertise, the pair quickly earned a reputation for running tight, band-friendly shows. No Clubs filled a crucial gap by giving touring indie and punk acts, along with local artists, a place to play at a time when there were virtually no venues for new music. As the alternative wave rose in the late ’80s and early ’90s, bands like Red Hot Chili Peppers, Jane’s Addiction, Nirvana-era peers Pearl Jam and Primus all passed through No Clubs shows, helping put Tampa Bay on the national music map.
Even after the alternative boom faded, No Clubs endured by embracing a broad musical vision. Hundley and Rifugiato promoted everything from reggae and Afrobeat to world music legends like Jimmy Cliff, Fela Kuti, and Ladysmith Black Mambazo, sometimes at a loss but always with passion. Their formula for success was simple: work hard, treat bands and fans fairly, and stay focused on the present rather than nostalgia. While No Clubs never chased massive profits, its impact was measured in packed rooms, inspired audiences, and a lasting influence on the region’s music culture — proof that small promoters can make an outsized difference when the crowd goes home happy.
